Suzuki spent the late 1960s wandering around Europe, often busking, during which time he would only have been a teenager.
When Malcolm Mooney left Can after recording their first album Monster Movie, Holger Czukay and Jaki Liebezeit encountered Suzuki singing on a street in Munich, Germany whilst the two were sitting outside at a street café. They invited him to join the group, and he did, performing with them that evening.
Suzuki was with Can from 1970 to 1973, recording a number of well-regarded albums such as Tago Mago, Future Days and Ege Bamyasi. Suzuki’s first vocal performance with Can was “Don’t Turn the Light On, Leave Me Alone” from Soundtracks His freeform, often improvised lyrics, sung in no one particular language gelled with Can’s rolling, psychedelic sound.
Suzuki converted to the Jehovah’s Witness faith when he married his German girlfriend, who was also a Jehovah’s Witness, after the release of the album Future Days, and retired from music in 1974.
He returned to music in 1983, and currently leads what is known as Damo Suzuki’s Network – as he tours, he performs live improvisational music with various local musicians (so-called “Sound Carriers”) from around the world, thus building up a ‘network’ of musicians with whom he collaborates. As far as more recent recorded material is concerned, Damo is featured on electronic/hip-hop producer Sixtoo’s album, “Chewing on Glass and Other Miracle Cures” (Ninja Tune, 2004).